“Mike Hoolboom’s restlessly intelligent film is broken up into ten parts, each revolving around issues of representation, eventually narrowing into a sort of treatise on the Hollywood dream factory and its impact on how we imagine the future. Working in a transcendental style not entirely dissimilar to Chris Marker’s, Hoolboom reconfigures a wide array of found footage into a consistently compelling meta-movie which demands and rewards rapt attention.” Adam Nayman, Eye Weekly