A talented stalwart of the hip young queer mafia of Quebec cinema, Concordia-trained Comeau was a part of Manon Briand ’s creative team on all her films, edited Jeanne Crépeau’s innovative Le Film de Justine (1989) and more recently edited such big-gun queer-flavoured commercial fare as C’t’à ton tour Laura Cadieux (orig. novel Michel Tremblay, dir. Denise Filiatrault, 1998) and Émile Gaudreault’s Mambo Italiano (2003).