Mirha-Soleil Ross
Performance artist, videomaker, transsexual activist, curator, sexworker. Transplanted Québécois Ross is Toronto’s most visible and prolific transgender cultural voice. The star of the National Film Board’s well intentioned documentary In the Flesh (Gordon McLennan, 2000, 47), Ross’s sixteen or so own video productions have much more raw artistic energy and political bite—“gut-busting, ass-erupting and immoderately whorish,” as she says in the compilation of video excerpts. The tapes, often made in collaboration with Xanthra MacKay and Mark Karbusicky, blur boundaries among document, demonstration, performance, narrative, autobiography, representation... and provocation. From her own personal body, history and experience to the political fields of reproductive technology and animal rights, Ross’s restless art covers a broad landscape of politics and desire. Ross founded Toronto’s “Counting Past Two” trans-arts festival in 1998. (See Chapter 10 in Romance of Transgression).